Philippe Beaujard Sorabe (Malagasy) Ajami Collection

Permanent URI for this collection

https://hdl.handle.net/2144/18736

This collection of Malagasy Ajami materials is copied as part of the African Studies Center’s African Ajami Library. This project is partly funded by the BU African Studies Center. For Inquiries: please contact Fallou Ngom, Director of the African Studies Center (fngom@bu.edu).

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Now showing 1 - 20 of 69

I Totôry 7 L
Unknown
The material is the twelfth part of the seventh of eleven texts (the fourth text and the second and third parts of the eleventh were not digitized) owned by Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Iaban’i Totôry belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). He was known to be the grandson of a famous religious chief in his village, and was close with the French colonial administration in his region, with whom he also shared the material. The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
I Totôry 7 K
Unknown
The material is the eleventh part of the seventh of eleven texts (the fourth text and the second and third parts of the eleventh were not digitized) owned by Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Iaban’i Totôry belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). He was known to be the grandson of a famous religious chief in his village, and was close with the French colonial administration in his region, with whom he also shared the material. The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
I Totôry 7 J
Unknown
The material is the tenth part of the seventh of eleven texts (the fourth text and the second and third parts of the eleventh were not digitized) owned by Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Iaban’i Totôry belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). He was known to be the grandson of a famous religious chief in his village, and was close with the French colonial administration in his region, with whom he also shared the material. The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
I Totôry 7 I
Unknown
The material is the ninth part of the seventh of eleven texts (the fourth text and the second and third parts of the eleventh were not digitized) owned by Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Iaban’i Totôry belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). He was known to be the grandson of a famous religious chief in his village, and was close with the French colonial administration in his region, with whom he also shared the material. The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
I Totôry 7 G
Unknown
The material is the seventh part of the seventh of eleven texts (the fourth text and the second and third parts of the eleventh were not digitized) owned by Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Iaban’i Totôry belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). He was known to be the grandson of a famous religious chief in his village, and was close with the French colonial administration in his region, with whom he also shared the material. The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
I Totôry 7 H
Unknown
The material is the eighth part of the seventh of eleven texts (the fourth text and the second and third parts of the eleventh were not digitized) owned by Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Iaban’i Totôry belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). He was known to be the grandson of a famous religious chief in his village, and was close with the French colonial administration in his region, with whom he also shared the material. The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
I Totôry 7 F
Unknown
The material is the sixth part of the seventh of eleven texts (the fourth text and the second and third parts of the eleventh were not digitized) owned by Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Iaban’i Totôry belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). He was known to be the grandson of a famous religious chief in his village, and was close with the French colonial administration in his region, with whom he also shared the material. The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
I Totôry 7 E
Unknown
The material is the fifth part of the seventh of eleven texts (the fourth text and the second and third parts of the eleventh were not digitized) owned by Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Iaban’i Totôry belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). He was known to be the grandson of a famous religious chief in his village, and was close with the French colonial administration in his region, with whom he also shared the material. The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
I Totôry 7 C
Unknown
The material is the third part of the seventh of eleven texts (the fourth text and the second and third parts of the eleventh were not digitized) owned by Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Iaban’i Totôry belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). He was known to be the grandson of a famous religious chief in his village, and was close with the French colonial administration in his region, with whom he also shared the material. The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
I Totôry 7 D
Unknown
The material is the fourth part of the seventh of eleven texts (the fourth text and the second and third parts of the eleventh were not digitized) owned by Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Iaban’i Totôry belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). He was known to be the grandson of a famous religious chief in his village, and was close with the French colonial administration in his region, with whom he also shared the material. The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
I Totôry 7 B
Unknown
The material is the second part of the seventh of eleven texts (the fourth text and the second and third parts of the eleventh were not digitized) owned by Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Iaban’i Totôry belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). He was known to be the grandson of a famous religious chief in his village, and was close with the French colonial administration in his region, with whom he also shared the material. The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
I Totôry 7 A
Unknown
The material is the first part of the seventh of eleven texts (the fourth text and the second and third parts of the eleventh were not digitized) owned by Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Iaban’i Totôry belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). He was known to be the grandson of a famous religious chief in his village, and was close with the French colonial administration in his region, with whom he also shared the material. The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
The Sorabe Islamic Manuscripts used by Diviners-Healers in Southwestern Madagascar
Beaujard, Philippe; African Language Program, African Studies Center, Boston University
This item contains a video and photograph of a talk given by Professor Philippe Beaujard on March 27, 2017, which was hosted by African Language Program, African Studies Center at Boston University.
Zohary
Unknown
The material was owned by Zohary, a political chief (called randriambe) in Malagasy). Zohary lived in the Antambahoaka region (in the valley of the Mananjary River), but the material originated in the Antemoro region (in the valley of the Matatàña River). The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
Vohilany 2
Unknown
The material is the second of two texts owned by Iaban’i Bera, a political chief (called randriambe) in Malagasy). Iaban’i Bera belonged to the Anteoñy Clan and lived in a village called Vohilany in the Antemoro region (in the valley of the Matatàña River). The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
Vohilany 1
Unknown
The material is the first of two texts owned by Iaban’i Bera, a political chief (called randriambe) in Malagasy). Iaban’i Bera belonged to the Anteoñy Clan and lived in a village called Vohilany in the Antemoro region (in the valley of the Matatàña River). The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
RG 4
Unknown
The material is the fourth of four texts owned by Georges, who was in the same family as Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Georges belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
RG 3 D
Unknown
The material is the fourth part of the third of four texts owned by Georges, who was in the same family as Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Georges belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
RG 3 C
Unknown
The material is the third part of the third of four texts owned by Georges, who was in the same family as Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Georges belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.
RG 3 B
Unknown
The material is the second part of the third of four texts owned by Georges, who was in the same family as Iaban’i Totôry, a diviner-healer (called ombiasy in Malagasy). Georges belonged to the Anakara Clan and lived in a village called Vatomasina in the Antemoro region (in the valley of the Matatàña River). The original author of the material is unknown. The material was photographed between 1983 and 1990. The pages were made out of a local plant called harandrànto in Malagasy, likely of the genus Afzelia. The material was bound in zebu skin and sinew. While the exact content of material is unknown, it is believed to contain guidance for charms, divination, and healing through prayers, geomancy, and astrology.