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dc.contributor.authorRoca, Roxanne Elizabethen_US
dc.date.accessioned2015-08-05T04:18:16Z
dc.date.available2015-08-05T04:18:16Z
dc.date.issued2012
dc.date.submitted2012
dc.identifier.other(ALMA)contemp
dc.identifier.urihttps://hdl.handle.net/2144/12603
dc.descriptionThesis (M.M.)--Boston Universityen_US
dc.description.abstractThis thesis examines the depictions of non-Western musical cultures in the following Disney films: Aladdin (1992), The Lion King (1994), and Mulan (1998). Since these films are targeted at children, they need to be investigated in terms of what messages they communicate and how these messages are perceived by young audiences. This research includes close examination of the films in question, as well as literature on Orientalism, Exoticism, Disney history, and child aesthetics and cognition. Additionally, interviews were conducted with children aged four through eleven. This research highlights the importance of cross-cultural collaborations and further investigation into children's music.en_US
dc.language.isoen_US
dc.publisherBoston Universityen_US
dc.rightsThis work is being made available in OpenBU by permission of its author, and is available for research purposes only. All rights are reserved to the author.en_US
dc.subjectDisney charactersen_US
dc.titleDepictions of non-Western musical cultures in Disney's film music of the 1990'sen_US
dc.typeThesis/Dissertationen_US
etd.degree.nameMaster of Musicen_US
etd.degree.levelmastersen_US
etd.degree.disciplineHistorical Musicologyen_US
etd.degree.grantorBoston Universityen_US


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