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dc.contributor.authorWang, Amandaen_US
dc.date.accessioned2015-08-07T03:40:47Z
dc.date.available2015-08-07T03:40:47Z
dc.date.issued2013
dc.date.submitted2013
dc.identifier.other(ALMA)contemp
dc.identifier.urihttps://hdl.handle.net/2144/12876
dc.descriptionThesis (D.M.A.)--Boston Universityen_US
dc.description.abstractPenderecki's String Quartet No. 3: Leaves from an Unwritten Diary was commissioned by the Shanghai Quartet in 2008 and premiered at a special 75th birthday concert honoring the composer. The quartet is a single movement work consisting of four to five short sections of contrasting tempos and character. Stylistically, the quartet is quite representative of his chamber works since the 1990's, and stands in sharp contrast to the first two quartets from the avant-garde period. The purpose of this dissertation is to provide an historical background, formal and linear analysis, and discussion ofthe challenges of interpreting this contemporary work, which has very little performance precedence.en_US
dc.language.isoen_US
dc.publisherBoston Universityen_US
dc.rightsThis dissertation is being made available in OpenBU by permission of its author, and is available for research purposes only. All rights are reserved to the author.en_US
dc.titleAn analysis of Krzysztof Penderecki's String Quartet No.3: "Leaves of an Unwritten Diary"en_US
dc.typeThesis/Dissertationen_US
etd.degree.nameDoctor of Musical Artsen_US
etd.degree.leveldoctoralen_US
etd.degree.disciplineViolin Performanceen_US
etd.degree.grantorBoston Universityen_US


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