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dc.contributor.authorWeiffenbach, Rose Elizabethen_US
dc.date.accessioned2016-01-07T21:55:00Z
dc.date.available2016-01-07T21:55:00Z
dc.date.issued1939
dc.date.submitted1939
dc.identifier.otherb14739045
dc.identifier.urihttps://hdl.handle.net/2144/13929
dc.descriptionThesis (Ph.D.)--Boston University This item was digitized by the Internet Archive.en_US
dc.description.abstractHawthorne's style has already been subjected to critical examination by L. Dhalaine in 1905, Prosser Hall Frye in 1908, and W. C. Brownell in 1909. No one of these studies is as far reaching as the present analysis. Obvious characteristics occupy too much space, finer shadings pass unnoticed, certain surprising appearances are lost sight of. All these are comparatively brief; the conclusions appear to have been drawn without sufficient corroborative evidence.en_US
dc.language.isoen_US
dc.publisherBoston Universityen_US
dc.rightsBased on investigation of the BU Libraries' staff, this work is free of known copyright restrictionsen_US
dc.titleA technical analysis of Hawthorne's styleen_US
dc.typeThesis/Dissertationen_US
etd.degree.nameDoctor of Philosophyen_US
etd.degree.leveldoctoralen_US
etd.degree.disciplineEnglishen_US
etd.degree.grantorBoston Universityen_US


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