| dc.contributor.author | Weiffenbach, Rose Elizabeth | en_US |
| dc.date.accessioned | 2016-01-07T21:55:00Z | |
| dc.date.available | 2016-01-07T21:55:00Z | |
| dc.date.issued | 1939 | |
| dc.date.submitted | 1939 | |
| dc.identifier.other | b14739045 | |
| dc.identifier.uri | https://hdl.handle.net/2144/13929 | |
| dc.description | Thesis (Ph.D.)--Boston University This item was digitized by the Internet Archive. | en_US |
| dc.description.abstract | Hawthorne's style has already been subjected to critical examination by L. Dhalaine in 1905, Prosser Hall Frye in 1908, and W. C. Brownell in 1909. No one of these studies is as far reaching as the present analysis. Obvious characteristics occupy too much space, finer shadings pass unnoticed, certain surprising appearances are lost sight of. All these are comparatively brief; the conclusions appear to have been drawn without sufficient corroborative evidence. | en_US |
| dc.language.iso | en_US | |
| dc.publisher | Boston University | en_US |
| dc.rights | Based on investigation of the BU Libraries' staff, this work is free of known copyright restrictions | en_US |
| dc.title | A technical analysis of Hawthorne's style | en_US |
| dc.type | Thesis/Dissertation | en_US |
| etd.degree.name | Doctor of Philosophy | en_US |
| etd.degree.level | doctoral | en_US |
| etd.degree.discipline | English | en_US |
| etd.degree.grantor | Boston University | en_US |
