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dc.contributor.authorPanasevich, Carolyn Clarkeen_US
dc.date.accessioned2017-09-23T02:16:37Z
dc.date.available2017-09-23T02:16:37Z
dc.date.issued1952
dc.date.submitted1952
dc.identifier.otherb14764258
dc.identifier.urihttps://hdl.handle.net/2144/23954
dc.descriptionThesis (M.A.)--Boston Universityen_US
dc.description.abstractIt has been the intention of the author to discuss in some detail the history and development of the French Hor n and its use in Chamber Music, up to the time when its position as an orchestral and chamber instrument was usurped by the valved horn. This covers a period of its use as an art instrument from the 17th century to the mid-19th century. These are of course the outward limits of the instrument's employment. [TRUNCATED]en_US
dc.language.isoen_US
dc.publisherBoston Universityen_US
dc.rightsBased on investigation of the BU Libraries' staff, this work is free of known copyright restrictions.en_US
dc.subjectFrench hornen_US
dc.subjectValveless hornen_US
dc.subjectChamber musicen_US
dc.subjectMusic historyen_US
dc.titleThe valveless horn and its use in chamber music, 1700-1865en_US
dc.typeThesis/Dissertationen_US
etd.degree.nameMaster of Artsen_US
etd.degree.levelmastersen_US
etd.degree.disciplineMusicen_US
etd.degree.grantorBoston Universityen_US


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