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dc.contributor.authorBurton, Deborahen_US
dc.date2004-01-01
dc.date.accessioned2018-03-15T18:51:18Z
dc.date.available2018-03-15T18:51:18Z
dc.date.issued2004-09-01
dc.identifier.citationD Burton. 2004. "Orfeo, Osmin and Otello: Towards a Theory of Opera Analysis." Studi Musicali, Volume 2004, Issue 2, pp. 359 - 385 (26).
dc.identifier.issn0391-7789
dc.identifier.urihttps://hdl.handle.net/2144/27533
dc.description.abstractThree diverse operatic selections are discussed in light of a new approach to opera analysisen_US
dc.format.extent359 - 385 (26)en_US
dc.publisherCasa Editrice Leo S. Olschkien_US
dc.relation.ispartofStudi Musicali
dc.rights©2003 Deborah Burtonen_US
dc.subjectStudies in creative arts and writingen_US
dc.subjectPhilosophy and religious studiesen_US
dc.subjectOperaen_US
dc.titleOrfeo, Osmin and Otello: towards a theory of opera analysisen_US
dc.typeArticleen_US
pubs.elements-sourcemanual-entryen_US
pubs.notesEmbargo: Not knownen_US
pubs.organisational-groupBoston Universityen_US
pubs.organisational-groupBoston University, College of Fine Artsen_US
pubs.organisational-groupBoston University, College of Fine Arts, School of Musicen_US
pubs.publication-statusPublisheden_US


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