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dc.contributor.authorLister, William Warwicken_US
dc.date.accessioned2018-08-20T14:37:01Z
dc.date.issued1970
dc.date.submitted1970
dc.identifier.otherb14622294
dc.identifier.urihttps://hdl.handle.net/2144/30811
dc.descriptionThesis (D.M.A.)--Boston Universityen_US
dc.descriptionPLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.en_US
dc.description.abstractThis document consists of a study of twelve more or less arbitrarily selected sonatas for violin and piano by the following contemporary Canadian composers: Murray Adaskin, Istvan Anhalt, Jean Coulthard, Oskar Morawetz, Jean Papineau-Couture, Barbara Pentland, Andre Prevost, Harry Somers (two sonatas), Robert Turner, Jean Vallerand and John Weinzweig. The aim of this study is to provide a frame of reference for musicians, including performers and teachers who may wish to obtain a clearer idea of contemporary trends in Canadian Composition [TRUNCATED]en_US
dc.language.isoen_US
dc.publisherBoston Universityen_US
dc.subjectViolinen_US
dc.subjectSonatasen_US
dc.subjectCanadian composersen_US
dc.subjectMusic compositionen_US
dc.titleThe contemporary sonata for violin and piano by Canadian composersen_US
dc.typeThesis/Dissertationen_US
dc.description.embargo2031-01-01
etd.degree.nameDoctor of Musical Artsen_US
etd.degree.leveldoctoralen_US
etd.degree.disciplineMusicen_US
etd.degree.grantorBoston Universityen_US
dc.identifier.barcode11719022065199
dc.identifier.mmsid99190901790001161


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