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dc.contributor.authorSullivan, Mary Roseen_US
dc.date.accessioned2019-04-08T17:49:15Z
dc.date.issued1964
dc.date.submitted1964
dc.identifier.otherb14622130
dc.identifier.urihttps://hdl.handle.net/2144/34728
dc.descriptionThesis (Ph.D.)--Boston Universityen_US
dc.descriptionPLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.en_US
dc.description.abstractThis dissertation examines the monologues of The Ring and the Book to describe and evaluate the role of the speaker-environment relationship in structuring the poem. Although this relationship has been studied in the shorter works of Browning, little critical attention has been devoted to its role in his major work, despite the poet's extensive comments in Book I on his dramatic method of "resuscitating" dead voices [TRUNCATED].en_US
dc.language.isoen_US
dc.publisherBoston Universityen_US
dc.rightsCopyright by MARY ROSE SULLIVAN 1964.en_US
dc.subjectSpeaker-audience relationshipen_US
dc.subjectThe Ring and the Booken_US
dc.subjectBrowning, Roberten_US
dc.subjectPoetryen_US
dc.subjectVictorian literatureen_US
dc.titleBrowning's voices: a study of the speaker-environment relationship as a primary means of control in the dramatic monologues of The Ring and The Booken_US
dc.typeThesis/Dissertationen_US
dc.description.embargo2031-01-01
etd.degree.nameDoctor of Philosophyen_US
etd.degree.leveldoctoralen_US
etd.degree.disciplineEnglishen_US
etd.degree.grantorBoston Universityen_US
dc.identifier.barcode11719025555659
dc.identifier.mmsid99190906980001161


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