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dc.contributor.authorYust, Jasonen_US
dc.date.accessioned2020-01-09T21:01:24Z
dc.date.available2020-01-09T21:01:24Z
dc.date.issued2016-09
dc.identifier.citationJason Yust. 2016. "‘'From where do these chords come?': Theoretical Traditions In The Enlightenment Boston University, 23 October 2015." Eighteenth Century Music, Volume 13, Issue 2, pp. 333 - 335. https://doi.org/10.1017/s147857061600018x
dc.identifier.issn1478-5706
dc.identifier.issn1478-5714
dc.identifier.urihttps://hdl.handle.net/2144/39070
dc.format.extent333 - 335en_US
dc.languageen
dc.publisherCambridge University Press (CUP)en_US
dc.relation.ispartofEighteenth Century Music
dc.subjectPerforming arts and creative writingen_US
dc.subjectEighteenth century musicen_US
dc.title'From where do these chords come?': Theoretical Traditions In The Enlightenment Boston University, 23 October 2015en_US
dc.typeArticleen_US
dc.description.versionAccepted manuscripten_US
dc.identifier.doi10.1017/s147857061600018x
pubs.elements-sourcecrossrefen_US
pubs.notesEmbargo: Not knownen_US
pubs.organisational-groupBoston Universityen_US
pubs.organisational-groupBoston University, College of Fine Artsen_US
pubs.organisational-groupBoston University, College of Fine Arts, School of Musicen_US
pubs.publication-statusPublisheden_US
dc.date.online2016-08-16
dc.identifier.mycv193266


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