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    Etnografia, Cinema e Colagem em “[Historia de] Una Pelea Cubana Contra los Demonios”: De Fernando Ortiz a Tomás Gutiérrez Alea a Ivonne Ferrer

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    The ABH Magazine adopts the open access policy under the CreativeCommons license: http://creativecommons.org/licenses/by-nc-nd/3.0/deed.pt.
    Date Issued
    2018-10-01
    Author(s)
    Lopes De Barros, Rodrigo
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    Permanent Link
    https://hdl.handle.net/2144/39147
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    Published version
    Citation (published version)
    R Lopes De Barros. "Etnografia, Cinema e Colagem em “[Historia de] Una Pelea Cubana Contra los Demonios”: De Fernando Ortiz a Tomás Gutiérrez Alea a Ivonne Ferrer." Revista abehache, Volume 1, Issue 11, pp. 125 - 149.
    Abstract
    Abstract: This article departs from the apparent homonymy among works of three figures of Cuban culture, the ethnographer Fernanrdo Ortiz (1881-1969), the filmmaker Tomás Gutiérrez Alea (1928-1996) and the visual artist Ivonne Ferrer (1968). Each of them produced a respective piece with the title [Historia de] Una pelea cubana contra los demonios. This article’s intention is to trace how such intellectuals, who came from distinct generations, faced the complexities, ambiguities and inevitable bifurcations in the path/task of (re)constructing/fictionalizing “history” during epochs of radical turning points in the articulations between culture and politics in the Island of Cuba: the 1959 Revolution, the anticipating events of Quinquenio Gris and the period that followed the dissolution of the Soviet Union.
     
    Resumo: Este artigo parte da aparente homonímia entre obras de três figuras da cultura cubana, o etnógrafo Fernando Ortiz (1881-1969), o cineasta Tomás Gutiérrez Alea (1928-1996) e a artista plástica Ivonne Ferrer (1968) – cada qual portadora do título [Historia de] Una pelea cubana contra los demonios – para traçar o modo como tais intelectuais, vindouros de gerações distintas, encaram as complexidades, ambiguidades e inevitáveis bifurcações no caminho/tarefa da (re)construção/ficcionalização da “história” em épocas de guinadas radicais nas articulações entre cultura e política na Ilha de Cuba: a Revolução de 1959, os eventos prenunciantes do Quinquenio Gris e o período que se seguiu à dissolução da União Soviética.
     
    Resumen: Este artículo parte de la aparente homonimia entre obras de tres figuras de la cultura cubana, el etnógrafo Fernando Ortiz (1881-1969), el cineasta Tomás Gutiérrez Alea (1928-1996), y la artista visual Ivonne Ferrer (1968) – cada cual portadora del título [Historia de] Una pelea cubana contra los demonios. El objetivo consiste en trazar la manera que dichos intelectuales, de generaciones distintas, han abordado las complejidades, ambigüedades e inevitables bifurcaciones en el camino/tarea de (re)construir/hacer ficcional la “historia” durante épocas de cambios radicales en las articulaciones entre política y cultura en la Isla de Cuba: la Revolución del 1959, los eventos que prenunciaron el Quinquenio Gris y el período que se siguió a la disolución de la Unión Soviética.
     
    Rights
    The ABH Magazine adopts the open access policy under the CreativeCommons license: http://creativecommons.org/licenses/by-nc-nd/3.0/deed.pt.
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    • CAS: Romance Studies: Scholarly Papers [32]
    • BU Open Access Articles [4833]

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