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dc.contributor.authorChude-Sokei, Louisen_US
dc.date2018-09-01
dc.date.accessioned2020-04-15T15:55:15Z
dc.date.available2020-04-15T15:55:15Z
dc.date.issued2018-09-12
dc.identifier.citationLouis Chude-Sokei. 2018. "“Dr. Satan’s Echo Chamber: Reggae, Technology and the Diaspora Process,” reprint.." Public Inquiry: The Journal of the Aesthetics of Kitsch, Camp and Mass Culture, pp. 46-60. http://urn.fi/URN:NBN:fi:aalto-201811065615.
dc.identifier.issn2489-6748
dc.identifier.urihttps://hdl.handle.net/2144/40189
dc.description.abstractReprint of an essay first published in 1997.en_US
dc.language.isoen_US
dc.relation.ispartofPopular Inquiry
dc.rightsUnless otherwise stated, all rights belong to the author. You may download, display and print this publication for Your own personal use. Commercial use is prohibited.en_US
dc.title“Dr. Satan’s Echo Chamber: reggae, technology and the diaspora process,” reprint.en_US
dc.typeArticleen_US
dc.description.versionPublished versionen_US
pubs.elements-sourcemanual-entryen_US
pubs.notesEmbargo: Not knownen_US
pubs.organisational-groupBoston Universityen_US
pubs.organisational-groupBoston University, College of Arts & Sciencesen_US
pubs.organisational-groupBoston University, College of Arts & Sciences, Department of Englishen_US
pubs.publication-statusPublisheden_US
dc.date.online2018-09-12
dc.identifier.mycv437203


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