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dc.contributor.authorChude-Sokei, Louisen_US
dc.date.accessioned2020-04-15T16:21:00Z
dc.date.available2020-04-15T16:21:00Z
dc.date.issued2017
dc.identifier.citationL. Chude-Sokei. 2017. "Prognosticating Echoes: Race, Sound and Naturalizing Technology." Current Musicology, Issue 101.
dc.identifier.issn0011-3735
dc.identifier.urihttps://hdl.handle.net/2144/40191
dc.language.isoen_US
dc.publisherColumbia Universityen_US
dc.relation.ispartofCurrent Musicology
dc.rights© 2017 by the Trustees of Columbia University in the City of New York. This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial-No Derivative Works License, which permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.en_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.titlePrognosticating echoes: Race, sound and naturalizing technologyen_US
dc.typeArticleen_US
dc.description.versionPublished versionen_US
pubs.elements-sourcemanual-entryen_US
pubs.notesEmbargo: Not knownen_US
pubs.organisational-groupBoston Universityen_US
pubs.organisational-groupBoston University, College of Arts & Sciencesen_US
pubs.organisational-groupBoston University, College of Arts & Sciences, Department of Englishen_US
pubs.publication-statusIn preparationen_US
dc.identifier.mycv282366


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© 2017 by the Trustees of Columbia University in the City of New York. This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial-No Derivative Works License, which permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.
Except where otherwise noted, this item's license is described as © 2017 by the Trustees of Columbia University in the City of New York. This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial-No Derivative Works License, which permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.