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dc.contributor.authorRogosa, Rebecca Thelmaen_US
dc.date.accessioned2013-06-28T01:31:00Z
dc.date.available2013-06-28T01:31:00Z
dc.date.issued1935
dc.date.submitted1935
dc.identifier.otherb14777368
dc.identifier.urihttps://hdl.handle.net/2144/5925
dc.descriptionThesis (M.A.)--Boston Universityen_US
dc.description.abstractThis thesis has attempted to establish a tentative definition of literary realism in its relations to the primary sources of George Eliot's thoughts and art: philosophy, romanticism, and humanism. Causes for realistic trends in her thinking have been traced in the background of her age, in her immediate environment, in the psychology of her personality, and in the forces of circumstance which brought association with other minds. Manifestations of realistic theories in her fundamental philosophy, in her humanistic religion, and in her use of the novel form, have been specified and critically evaluated. An appreciation of her distinctive contributions to the history of realism has been presented.en_US
dc.language.isoen_US
dc.publisherBoston Universityen_US
dc.rightsBased on investigation of the BU Libraries' staff, this work is free of known copyright restrictionsen_US
dc.titleThe Realism of George Elioten_US
dc.typeThesis/Dissertationen_US
etd.degree.nameMaster of Artsen_US
etd.degree.levelmastersen_US
etd.degree.disciplineEnglishen_US
etd.degree.grantorBoston Universityen_US


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