Heller Studio Recital, December 7, 1991
Date
1991-12-07
DOI
Authors
School of Music, Boston University
Version
OA Version
Citation
Abstract
Description
This is the concert program of the Heller Studio Recital performance on Saturday, December 7, 1991 at 1:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were "Alma Mia" from "Floridante" by George Frideric Handel, Freschi luoghi, Prati aulenti by Stephano Donaudy, Early in the Morning by Ned Rorem, Cradle Song by N. Rorem, "Angels ever bright and fair" from "Theodora" by George Frideric Handel, "Addio Corindo" and "Vieni Alidoro," recit. and aria by Marcantonio Cesti, "Spring" from "Six Elizabethan Songs" by Dominick Argento, "Caldo Sangue" from "Il Sedecia, Re di Gerusalemene" by Alessandro Scarlatti, "Bel Piacere" from "Agrippina" by G. F. Handel, Kennst du das Land by Robert Schumann, Nur wer die Sehnsucht kennt by R. Schumann, Heiss' mich nicht reden by R. Schumann, La danza by Gioacchino Rossini, Le colibri by Ernest Chausson, My Master Hath A Garden by Richard Hundley, Ave Maria by Charles Gounod, En sourdine by Gabriel Fauré, Die Lotosblume by R. Schumann, Du bist wie eine Blume by R. Schumann, Le temps des lilas by E. Chausson, "No, no, no, che non sei capace," K. 419 by Wolfgang Amadeus Mozart, "Sul fil d'un soffio etesio" from "Falstaff" by Giuseppe Verdi, "Porgi amor qualche ristoro" from "Le Nozze di Figaro" by W. A. Mozart, "E Susanna non vien! Dove sono" from "Le Nozze di Figaro" by W. A. Mozart, "Come and trip it" from "L'Allegro" by G. F. Handel, Das Veilchen by W. A. Mozart, Sonntag by Johannes Brahms, "Gute Nacht" from "Winterreise" by Franz Schubert, "Die Wetterfahne" from "Winterreise" by F. Schubert, "Der stürmische Morgen" from "Winterreise" by F. Schubert, As Long As It Isn't Love by Milton Babbitt, Penelope's Night Song by M. Babbitt, Now You See It by M. Babbitt, To Her by Sergei Rachmaninoff, The Pied Piper by S. Rachmaninoff, and "A-oo" by S. Rachmaninoff. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund.
License
Copyright 1991 Boston University. Permission to copy without fee all or part of this material is granted provided that: 1. The copies are not made or distributed for direct commercial advantage; 2. the report title, author, document number, and release date appear, and notice is given that copying is by permission of BOSTON UNIVERSITY TRUSTEES. To copy otherwise, or to republish, requires a fee and / or special permission.