21st-century Arabic literary remixes of the Arab-Soviet romance

OA Version
Citation
Litvin M. 21st-Century Arabic Literary Remixes of the Arab-Soviet Romance. International Journal of Middle East Studies. 2024;56(3):516-520. doi:10.1017/S0020743824000989
Abstract
After an absence of more than fifteen years, Russian and Soviet themes began to reappear in contemporary Arabic fiction around 2005, as Russia started to regain prominence in Arab politics and Arabic writers began rediscovering some of the transnational entanglements that the Cold War’s unipolar ending had largely occluded. Contemporary Arabic fiction writers have put Russian and Soviet material to many uses; this essay focuses on four: satirizing Soviet internationalism through depictions of dormitory racism; mocking the gender assumptions behind Arab nationalism and internationalism; humanizing jihadi fighters; and speaking beauty to power. The sheer diversity of these uses (and of others not covered here) shows that “How has Russian literature influenced Arabic literature?” is the wrong question. Future research should ask, rather, what local hungers the Russian/Soviet legacy has fed, what artistic and rhetorical resources it has offered, and how Arab writers have reimagined it.
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License
© The Author(s), 2025. Published by Cambridge University Press. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0), which permits unrestricted re-use, distribution and reproduction, provided the original article is properly cited. This article has been published under a Read & Publish Transformative Open Access (OA) Agreement with CUP.