Music and society: the effects of capitalism on busking
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Music and Society: The Effects of Capitalism on Busking
Date
2024
DOI
Authors
Bhumitra, Amana
Version
OA Version
Citation
Abstract
In this thesis, I examine the relationship between musical busking and capitalism. Busking refers to the act of street performance to solicit donations. I utilized literature on the legalities surrounding busking, as well as Marxist theory and symbolic interactionism to analyze the capitalist intersections. It examines an overlooked, pure form of music and artistry. Analyzing the legal framework and the permitting systems of the MBTA and MTA allows further insight into the plights of navigating busking as a performer. Furthermore, Adam Krim’s study “Hip-Hop Sublime” argues the mass production of specific styles of music through a Marxist lens, and discusses the commercialization of music, which busking resists by allowing all artists a platform. There is limited research into the lives of buskers, previous scholarship focuses on musicology, economics, and historical research. The approach of lived experiences in a sociological framework is unique in this realm of research as it comes from the perspective of those who are undervalued and ignored by mainstream society. It is important because buskers are integral fabrics of the urban communities and soundscapes. Using Facebook groups and canvassing popular busking locations in New York City and Boston, I interviewed 30 musicians to investigate their experiences. Specifically to analyze “How does busking interact with capitalism?” These interviews can help shed light on the art form and foster a deeper appreciation of busking. I argue that the relationship between busking and capitalism is multifaceted. My findings suggest that busking is a form of resistance, an emotional experience, and a non-commodified pure form of artistry, however, monetary compensation impacts buskers’ motivations and strategies. Busking serves as a political and social form of resistance through the interactions, emotional experiences, and motivations of the buskers. The findings suggest that buskers resist the legal framework working against them to protect their First Amendment rights and to preserve their artistry. However, monetary compensation is still a priority for the buskers which is evident through their strategies, like social media promotion and song choice, as well as their motivations. Overall, the motivations, strategies, and emotional experiences all contribute to the anti-capitalist art form of busking while adhering to capitalist structures in our society.