Cenotaphs in Sound: Catastrophe, Memory, and Musical Memorials
OA Version
Citation
Schmidt, James. "Cenotaphs in Sound: Catastrophe, Memory, and Musical Memorials." Proceedings of the European Society for Aesthetics 2 (2010), 454-78.
Abstract
This paper examines the peculiar status of musical compositions that are intended to serve as memorials of victims of political violence. It considers four examples of this genre: John Foulds' World Requiem (1923), Arnold Schoenberg's A Survivor from Warsaw (1947), Steve Reich's Diļ¬erent Trains (1988), and John Adams' On the Transmigration of Souls (2002).
Description
Originally published at http://proceedings.eurosa.org/2/schmidt.pdf
License
Attribution Non-Commercial No Derivatives 3.0 Unported